(aka "The Leopard" or "Le Guépard")

 

directed by Luchino Visconti
Italy / France 1963

Theatrical Release: March 28th, 1963 - Italy

Reviews    More Reviews  DVD Reviews

DVD Comparison:

BFI - Region 2- PAL vs. Criterion - Region 1 - NTSC vs. Medusa - Region 2 - PAL

Big thanks to Gary Tooze and Ole Kofoed for the Screen Caps!

(BFI - Region 2- PAL LEFT vs. Criterion - Region 1 - NTSC - MIDDLE vs. Medusa - Region 2 - PAL - RIGHT)

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Distribution BFI
Region 2 - PAL

Criterion Collwection

Region 1 - NTSC

Medusa
Region 2 - PAL
Runtime 2:57:48 (4% PAL speedup) 3:05:54 2:57:42 (4% PAL speedup)
Video

2.21:1 Aspect Ratio

16X9 enhanced
Average Bitrate: 5.47 mb/s
PAL 720x576 25.00 f/s

2.21:1 Aspect Ratio

16X9 enhanced
Average Bitrate: 5.33 mb/s
NTSC 704x480 29.97 f/s

2.35:1 Aspect Ratio

16X9 enhanced
Average Bitrate: 5.99 mb/s
PAL 720x576 25.00 f/s

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate:

B F I

Bitrate:

Criterion

 

Bitrate:

 

Medusa

 

Audio Italian (Dolby Digital 2.0 Mono) Italian (Dolby Digital 2.0 Mono)

Italian (Dolby Digital 2.0 Mono)

Subtitles English or Commentary Subtitles or none. English or none. English, Italian or none. (Extras is only subtitled in Italian)
Features Release Information:
Studio:
BFI Video

Aspect Ratio:
Widescreen anamorphic - 2.21:1

Edition Details:
• Full Feature Commentary by David

Forgacs and Rossana Capitano (optional subtitles)
• Interview with Claudia Cardinale (optional English subtitles)
• Director Biography
• Trailer

• 1 page sleeve notes by David Forgacs
 

DVD Release Date: September 27th, 2004
Transparent Keep Case

Chapters 25

 

Release Information:
Studio: Criterion

Aspect Ratio:
Widescreen anamorphic - 2.21:1

Edition Details:
• New transfer of of the 161-minute American release, with English-language dialogue (including Burt Lancaster's actual voice)
• Audio commentary by film scholar Peter Cowie
• A Dying Breed, a new hour-long documentary featuring interviews with Claudia Cardinale, screenwriter Suso Ceccho D'Amico, cinematographer Guiseppe Rotunno, Sydney Pollack, and many others
• Interview with professor Millicent Marcus on the history behind The Leopard
• Interview with producer Goffredo Lombardo
• Stills gallery of rare behind-the-scenes production photos
• Theatrical trailer
• 3-DVD Set

DVD Release Date: June 8, 2004
Keep Case

Chapters 32

Release Information:
Studio: Medusa

Aspect Ratio:
Widescreen anamorphic - 2.35:1

Edition Details:
• Interview with producer Goffredo Lombardo (19:33)
• About the restauration of the movie (11:13)
• Featurette: Il gattopardo - un viaggio nella memoria (20:46)
• 2 newsreels (3:01) (0:43)
• Gallery of customes, scenography and behind the scenes,
• Theatrical trailer
• 68 pages booklet (In Italian)
• 2-DVD Set (There is also an OOP LE edition which include a soundtrack CD)

 

DVD Release Date: 2001
Keep Case

Chapters 28

Comments

Criterion's transfer of the 70mm negative at Technicolor was in London last year. They transferred this newly discovered element in High-Definition 24f, which would allow for equivalent down-conversion to both PAL and NTSC, so no transfer from NTSC to PAL would be necessary. BFI matched this image and the recent Italian restored soundtrack. The opticals were produced by Lee Kline from Criterion with Giussepe Rutonno, and set within the new 70mm transfer, after which BFI recieved the Pal clone of the finished HD Master.

 

Regarding aspect ratio, there is a lot of misinformation running around about this. The Leopard was originally shot in 35mm Technirama at 2.35:1, then blown up to 70mm Super-Technirama which has an aspect ratio of 2.21:1. This blowup results in a beautiful 70mm element but has the adverse effect of shaving off the sides by a slim margin. Since this picture was slated to be blown up to Super-Technirama, one can assume that Visconti and Rutonno framed their compositions with this in mind. So... what this means is, both the Criterion and the BFI DVD display the 70mm elements, in all the beautiful colour that gauge was capable of. If you're watching another (ex. Italian Medusa DVD) that displays a little more image on the right and left, then it's pretty clear this was made from the "restored 35mm print", containing a little more left and right, but faring far worse in overall colour, contrast, detail, grain, condition, etc...

 

We can dismiss the Medusa right away for its 35mm image that is faded and hazy.

 

The Criterion looks to have gone through a filtering of some sort and is slightly sharper than the BFI. The BFI commentary is wonderful and is a strong reason to choose this version or both this and the Criterion. I was less impressed by Peter Cowie commentary on the Criterion, but is also full of marvelous insight. Colors are accurate in both. Unless you are projecting on a large surface I think you would be happy (or even ecstatic) with either. It may be a case of personal preference and where you can get it most reasonably. The Criterion does offer the shorter release as well, if you are interested in that.

 - Gary Tooze

 





DVD Menus

(BFI - Region 2- PAL LEFT vs.
Criterion - Region 1 - NTSC - MIDDLE vs. Medusa - Region 2 - PAL - RIGHT)


 

 

 


 

Subtitle Sample

 

(BFI - Region 2- PAL TOP vs. Criterion - Region 1 - NTSC - MIDDLE vs. Medusa - Region 2 - PAL - BOTTOM)

 

 

 


 

Screen Captures

(BFI - Region 2- PAL TOP vs. Criterion - Region 1 - NTSC - MIDDLE vs. Medusa - Region 2 - PAL - BOTTOM)

 

 


(BFI - Region 2- PAL TOP vs. Criterion - Region 1 - NTSC - MIDDLE vs. Medusa - Region 2 - PAL - BOTTOM)

 

 


 

(BFI - Region 2- PAL TOP vs. Criterion - Region 1 - NTSC - MIDDLE vs. Medusa - Region 2 - PAL - BOTTOM)

 

 

 


(BFI - Region 2- PAL TOP vs. Criterion - Region 1 - NTSC - MIDDLE vs. Medusa - Region 2 - PAL - BOTTOM)

 

 


(BFI - Region 2- PAL TOP vs. Criterion - Region 1 - NTSC - MIDDLE vs. Medusa - Region 2 - PAL - BOTTOM)

 

 

 


Hit Counter


Report Card:

Image:

Criterion

Sound:

Extras: BFI (prefer commentary, but both are stacked)
Menu: BFI

 

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Distribution BFI
Region 2 - PAL

Criterion Collwection

Region 1 - NTSC

Medusa
Region 2 - PAL


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Gary Tooze

1775 Rowntree Court

Mississauga, Ontario,

L4W 4V3    CANADA